Lili Bernard. Orisha Chart One, 2019. Acrylic, Rope, Clay, Metal, Wood, Straw, Plastic, Toys, Candy, Beads, Faux Jewelry and Digital Photos on Canvas, 30×36

Lili Bernard. Beware of Boogiemen Disguised as Deity, 2019. Mixed Media, 76 inches x 36 inches

Lili Bernard. Elegua’s Phallus, 2019. Acrylic Paint, Cowrie Shells, Twine and Pipe Cleaners on Wood, 34″x9″x6″

Lili Bernard. Self Portrait as Yemaya Under Attack, 2017. Sequin, Acrylic Paint, Photographs, Pills, Glitter, Nylon Afro-Wig, Ribbon, Pipe Cleaners, Cork, False Eyelashes, Plastic Eyes and Costume Jewelry on Canvas, 48″x36″

Lili Bernard. Latasha Harlins en El Cielo con Las 7 Potencias Africanas, 2017. Oil Paint, Acrylic Paint, Metal Chain, Glitter, Plastic Eyeballs, Styrofoam, Plastic Angel, Faux Jewels and Digital Print on Canvas, 20”x20”

Lili Bernard. Latasha Harlins y Las 7 Potencias Africans – Kaleidoscope Tribute to the Harlins Family, 2017. Acrylic Paint, Photos, Costume Jewels, Plastic Eyes and Glitter, 20″x20″

Lili Bernard. Trump Trigger Warning One, 2017. Acrylic Paint, Photos, Costume Jewels, and Wooden Toothpicks on Canvas, 8″x8.” Collection of Judy Bowen.

Lili Bernard. Manos Arriba, BC, 2016. Acrylic paint, photographs, indelible marker, costume jewelry, pills, glitter, plastic human skeleton, 24″x36″ click here to enlarge

Lili Bernard. “Elvis Slept Here: Help Me, Abuelitas,” 2016. Acrylic paint, photographs, indelible marker, costume jewelry, sequin, glitter, rubber scorpions & snakes, rubber frogs, barbie doll, leather cord, plastic crescent moons, fake coins & jewels, dice, toy plastic bottle, rubber human skeleton, wood, cloth, 19″x24″ click here to enlarge

Lili Bernard. EndRapeSOL Memorial Angel, 2016. Acrylic Paint and Hand-Cut Digital Photo Collage on PVC, 72″ x 48″ x 48″

Lili Bernard. Detail of Ain’t Funny Crucifix, 2014. Purple Sugar Cane, Conga Drum, Nails, Rope, Acrylic Paint, Watermelon Seeds, Digital Photograph, 96″x72’x36″

Lili Bernard. Ain’t Funny Crucifix and Video-Art, 2014. Purple Sugar Cane, Conga Drum, Nails, Rope, Acrylic Paint, Watermelon Seeds, Digital Photograph, 96″x72’x36″

Close-up of Lili Bernard. Ain’t Funny Crucifix and Video-Art, 2014. Purple Sugar Cane, Conga Drum, Nails, Rope, Acrylic Paint, Watermelon Seeds, Digital Photograph, 96″x72’x36″

Lili Bernard. Donning & Dismissal of the Conquerors Coiffure Installation, 2014. MFA Degree Group Show, Otis, May 11, 2014 

Lili Bernard. Donning & Dismissal of the Conquerors Coiffure Installation, 2014. Altars that Double as Hair Salons for the Orishas Oshun, Nana Baruku and Yemaya

Lili Bernard. Oshun’s Altar-Hair Salon Station for Donning & Dismissal of the Conquerors Coiffure Installation, 2014.

Lili Bernard. Nana Baruku’s Altar-Hair Salon Station for Donning & Dismissal of the Conquerors Coiffure Installation, 2014. 

Lili Bernard. Oshun’s Altar-Hair Salon Station for Donning & Dismissal of the Conquerors Coiffure Installation, 2014. 

Lili Bernard. Santo Niño de Atocha’s Basket by Elegua’s Throne, Mixed Media Sculpture, Used in Donning and Dismissal of the Conqueror’s Coiffure Public Engagement Performance, 2014. 36″x24″x18″ © 2013 Lili Bernard

Lili Bernard. Elegua’s Staff for Donning and Dismissal of the Conqueror’s Coiffure Public Engagement Performance, 2014. Wood, Acrylic Paint, Cowries, Lace, Twine, 48″x7″ x4″

Orishas Through the Crossroad and the Gate, Mixed Media Installation for Public Engagement Performance, Performed here at California African American Museum, Los Angeles, July 2013, 288″x96″x60″ © 2013 by Lili Bernard, Available for Purchase

Orishas Through the Crossroad and the Gate, Mixed Media Installation for Public Engagement Performance, Lili Bernard MFA Thesis Solo Show, Leimert Park Vision Theatre, Los Angeles, May 2014