In the Silent No More workshop, there is an art-making station in place with painting supplies and poster paper. I first give an artist talk,with a slideshow presentation of my work, relative to my being a sexual assault survivor and anti-rape activist. Participants gather around the table and each cut a sheet of poster paper into a specific shape. I do not disclose the purpose of the shape. Participants are instructed to color both sides of the shape in solid colors which they feel oppose one another. They are instructed to write “Silent No More” on each side of the shape. While doing so, we discuss the concept of Ying-Yang and opposing forces as they relate to rape culture. Each participant decorates one side of the paper with words and images pertaining to the negative effects of rape and sexual assault, the other side with words and images reflecting survivorship. Participants stand and form a circle, facing one another. They are instructed to each roll their decorated paper into the shape of a megaphone, and are encouraged to consider whether the negative side will be the interior or the exterior of the megaphone, relative to how they process the subject of sexual violence, both internally and externally within their bodies and minds. The group decides whether to first speak out the positive side or the negative. One by one, using their megaphone to project their voices, each participant is invited to speak out a short phrases they wrote about sexual violence. Once everyone has had a turn, the megaphones are turned inside out, and each participant voices a phrase they wrote on the oposingside. Once competed, the group shouts out in unison, from their megaphones, “Silent No More,” three times. Guided by specific questions, group dialogue ensues.